In the end, despite the intellectual setting, the murder turns out not to have been a crime of reason. Thomas-Graham manipulates mainly wooden characters who personify the academic power structure, and many of the personal relationships are childish, especially Nikki's sophomoric behavior with ex-lover Dante Rosario. Events proceed from a MacGuffin that has a stranglehold on the story: Nikki worked with Ella on a committee examining university finances and must locate two of the dead woman's computer disks. Less successful are the story's plot and characterizations. Thomas-Graham skillfully incorporates attitudes toward race and integration into the story, contrasting older African Americans formed by the civil rights movement to younger middle-class blacks who take for granted the movement's achievements. After Ella falls down a flight of steps to her death, Nikki Chase, a younger, black assistant professor in Harvard's economics department and narrator of the story, suspects murder. Dead is Rosezella Fisher, a smart, politically astute African American woman who had earned some enemies in her diligent climb to the position of dean of students at Harvard Law School. First-novelist Thomas-Graham partly delivers on the promise of this first tale in the projected Ivy League Mystery series by putting her own spin on the academic mystery.
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